Showing posts with label TILANG. Show all posts
Showing posts with label TILANG. Show all posts

Saturday, February 9, 2013

JAGAM PUGAZHUM PUNYA KATHAI - LAVA KUSA









 HINDOLAM, ARABHI, MOHANAM, SARAMATHI, BEGADA, HAMSANANDHI, SURUTI, SAHANA, BAAGESHRI, REETI GOWLAI, SINDHU BHAIRAVI, KAPI, NEELAMANI, BRINDAVANA SARANGA, NATAKURINJI, TILANG.

ஜெகம் புகழும் புண்ய கதை ராமனின் கதையே
உங்கள் செவிகுளிர பாடிடுவோம் கேளுங்கள் இதையே
ஜெகம் புகழும் புண்ய கதை ராமனின் கதையே..

இகபர சுகமெல்லாம் அடைந்திடலாமே
இந்த கதை கேட்கும் எல்லோருமே
இனிக்குது நாவெல்லாம் உரைத்திடும்போதிலே (2)
இணையே இல்லாத காவியமாகும்..(ஜெகம் புகழும்)

அயோத்தி மன்னன் தசரதனின் அருந்தவத்தால்
அவன் மனைவி கெளசல்யா, கைகேயி, சுமித்திரை
கருவினிலே உருவானார் ராமர், லஷ்மணர்
கனிவுள்ள பரதன், சத்ருக்னர் நால்வர்..

நாட்டினர் போற்றவே நால்வரும் பலகலை
ஆற்றலும் அடைய மன்னன் வளர்த்து வந்தாரே..
காட்டில் கெளசிகன் யாகத்தைக் காக்கவே
கண்மணி ராமலஷ்மணரை அனுப்பினனே
கண்மணி ராமலஷ்மணரை அனுப்பினனே..

தாடகை சுபாகுவை தரையில் வீழ்த்தியே
தவசிகள் யாகம் காத்து ஆசி கொண்டனரே (2)
பாதையில் அகலிகை சாபத்தை தீர்த்தபின் (2)
சீர்பெறும் மிதிலை நகர் நாடி சென்றனரே..

வீதியில் சென்றிடும் போதிலே ராமன்
சீதையை கன்னி மாட மீதிலே கண்டான்
காதலினால் இருவர் கண்களும் கலந்தனர்(2)
கன்னியை வில்லொடித்து சொந்தமும் கொண்டான்..

ஆணவத்தால் அறிவிழந்த பரசுராமன்
அகந்தை தன்னை அடக்கி ராமன் வெற்றி கொண்டான்
அரும் புதல்வனின் வீரத்தை கண்ட மன்னன்
அளவில்லா ஆனந்த நிலையை கண்டான்...(ஜெகம் புகழும்)

மன்னவன் தசரதன் கண்மணி ராமனுக்கு
மணி முடி சூட்டவே நாள் குறித்தானே(2)
மக்கள் யாவரும் மகிழ்வுடன் நகரையே
மகரத் தோரணத்தால் அலங்கரித்தனரே..

மந்தரை போதனையால் மனம்மாறி கைகேயி
மணிமுடி பரதன் சூடி நாட்டை ஆளவும்
வனத்தில் ராமன் பதினான்காண்டுகள் வாழவும்
மன்னனிடம் வரமதைக் கேட்டாள்..

அந்த சொல்லைக் கேட்ட மன்னர்
மரண மூச்சை அடைந்த பின்னர்
ராமனையும் அழைக்கச் செய்தாள்
தந்தை உன்னை வனம் போக சொல்லி
தம்பி பரதனுக்கு மகுடத்தை தந்தார் என்றாள்..

சஞ்சலமில்லாமல் அஞ்சன வண்ணனும்
சம்மதம் தாயே என வணங்கி சென்றான்
மிஞ்சிய கோபத்தால் வெகுண்டே விலெடுத்த
தம்பி இலக்குவனை சாந்தமாக்கினார்..

இளையவனும் ஜானகியும் நிழல் போல் தொடரவே
மரவுரி தரித்து ராமன் செல்வதைக் கண்டு (2)
கலங்கி நாட்டு மக்கள் கண்ணீர் சிந்தியே
உடன் எனப் போவதென்று தடுத்தனர் சென்று..

ஆறுதல் கூறியே கார்முகில் வந்தான்
அன்புடன் அவர்களிடம் விடையும் கொண்டானே
அன்னையும் தந்தையும் சொன்னதற்காகவே
அன்னலும் கானகத்தை நாடிச் சென்றானே...(ஜெகம் புகழும்)

கங்கைக் கரைஅதிபன் பண்பில் உயர்ந்த குகன்
அன்பால் ராமபிரான் நண்பனாகினான் (2)
பஞ்சவடி செல்லும் பாதையைக் காட்டினான்(2)
அஞ்சக வண்ணன் அங்கு சென்று தங்கினான் (2)

ராவணனின் தங்கை கொடியவள் சூர்ப்பனகை
ராமபிரான் மீது மையல் கொண்டாள் (2)
கோபம் கொண்ட இளையோன்
குரும்பால் அவளை மானபங்கம் செய்து விரட்டி விட்டன்..

தங்கையின் போதனையால் தசகண்ட ராவணன்
ஜானகி தேவியை சிறையெடுத்தான்..(2)
நெஞ்சம் கனலாகி கண்கள் குளமாகி
தம்பியுடன் தேவியைத் தேடிச் சென்றான்..

வழியிலே ஜடாயுவால் விவரமெல்லாம் அறிந்தான்
வாயு மைந்தன் ஹனுமனின் நட்பைக் கொண்டான்
ஆழியைத் தாண்டி இலங்கை சென்ற ஹனுமான்
அன்னையை அசோக வனத்தில் கண்டான்..

"ராம சாமியின் தூதன் நானடா ராவணா" என்றான்
ஹனுமார் லங்காபுரியைத் தீக்கிரையாக்கி கிஷ்கிந்தை சென்றான்
"கண்டேன் அன்னையை" என்றே ராமனை சேவித்தே நின்றான்
கடலைக் கடந்து அய்யன் வானர சேனையுடன் சென்றான்
வானர சேனையுடன் சென்றான்..

விபீஷணனின் நட்பைக் கொண்டான்
விபீஷணனின் ராவணனை வென்றான்
வீரமாதா ஜானகி தேவியை தீக்குளிக்க செய்தான்
கற்பின் கனலைக் கனிவுடன் ஏற்று அயோத்தி நகர் மீண்டார்(2)
மக்கள் பலரும் களிப்புற ராமன் அரசுரிமை கொண்டான்
அரசுரிமை கொண்டான்...(ஜெகம் புகழும்)

Thursday, July 5, 2012

INDRU POI NAALAI VAARAI - SAMPOORNA RAMAYANAM









SONG STARTS AT 2:33:00



Blast from the past: Sampoorna Ramayanam 1956

RANDOR GUY
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Sampoorna Ramayanam
Sampoorna Ramayanam
N. T. Rama Rao, Sivaji Ganesan, Padmini, Chittoor V. Nagaiah, S. D. Subbulakshmi, G. Varalakshmi, T. K. Bhagavathi, N. R. Sandhya, P. V. Narasimha Bharathi, V. K. Ramasami, C. T. Rajakantham, Pushpavalli, ‘Jayakodi’ Natarajan and M. G. Chakrapani
The Ramayana, the story of the Rama avatar of Vishnu, is one of the immortal classics of India. A rich granary of story material, the epic not surprisingly excited and attracted the attention of filmmakers in the country from the Silent Film era. The first silent version came out in 1922 along with another version the same year, which was released as a serial in cinemas. The first talkie version came out in Hindi in 1933, in Telugu in 1936 and in Tamil (this version) in 1956. There were other language versions too.
Sampoorna Ramayanam, running over 22,000 feet, was produced by M. A. Venu. It had Sivaji Ganesan in the role of Bharatha, while N. T. Rama Rao and Padmini played Rama and Sita. The underrated stage and screen actor K. V. Srinivasan lent his voice to NTR. T. K. Bhagavathi with his excellent screen presence was the right choice to play Ravana. Varalakshmi as Kaikeyi was equally impressive, and so was Nagaiah as Dasaratha. Noted comedienne Rajakantham played the mischief-maker Mandhara. Also in the cast were Nagaiah, M. N. Rajam, P. V. Narasimha Bharathi, Lakshmiprabha, S. D. Subbulakshmi and T. P. Muthulakshmi.
The film had excellent music (K. V. Mahadevan) with lyrics by Marudhakasi. One song rendered by C. S. Jayaraman, filmed on Bhagavathi playing Ravana, ‘Indru poi naalai vaa,’ became an immortal melody. This song was composed in raga Thilang, which was an import from Sufi music and successfully adapted by Guru Nanak and his disciples who composed several hymns in this raga. It has been extremely popular with musical geniuses such as Ravishankar, Bhimsen Joshi, violin maestro Lalgudi Jayaraman and musicologist G. S. Mani. The great Carnatic musician D. K. Pattammal recorded a song, ‘Shanthi nilava vendum,’ in this raga on the occasion of the shocking death of Mahatma Gandhi in 1948.
Written by the successful Tamil film personality A. P. Nagarajan, Sampoorna Ramayanam was directed by K. Somu who was associated with Nagarajan on many films. Not many are aware that Somu worked with the celebrated American Tamil filmmaker Ellis R. Dungan, learning the art and craft from the great master. The film was made at Ratna Studio in Salem.
Sampoorna Ramayanam had the distinction of winning the appreciation of the eminent son of India, Rajaji, who did not think much of films. In the 1930s, he watched Ellis R. Dungan’s Sathi Leelavathi and in honour of his visit a day’s collection was handed over to him towards the Indian National Congress Party fund. After watching the movie, he sarcastically remarked that the main artiste in a charka-spinning sequence did not know how to handle it!
Remembered for the impressive performances of N. T. Rama Rao, Padmini and Varalakshmi, the melodious music of Mahadevan and the song ‘Indru Poi.’


Sunday, April 24, 2011

MURUGA ENRADHUM - ADHISAYA THIRUDAN



http://www.youtube.com/watch?v=zByLKtFRf54

'MurugA endRathum' sung by - 'Padmasree' TM Sounderarajan


murugA endRadhum ... urugAdhA manam
mOgana kunjari maNavALA (2)

urugAdhA manam urugAdhA

(urugAdhA)

kuRai kELAyO ... muRai theerAyO
mAn magaL vaLLiyin maNavALA

(urugAdhA) (2)

maRaiyE pugazhum mAdhavan marugA (2)

mAyai neengka vazhidhAn pugalvAi

aRupadai veedenum anbargaL idhayamE (2)

amarndhidum jOdhiyE nee varuvAi (2)

murugA endRadhum ... urugAdhA manam
mOgana kunjari maNavALA

(urugAdhA) (2)

jenma pAbavinai theeravE pArinil (2)

dhinamum padhAmbujam thEdi nindROm

thavaseelA ... hE sivabAlA (2)

sarvamum neeyE jeyasakthi vElA (2)

murugA endRadhum ... urugAdhA manam
mOgana kunjari maNavALA

(urugAdhA) (4).


http://www.kaumaram.com/new_lyrics/tms/tms_muruga_endrathum_e.html

Thursday, January 21, 2010

INRU POI NALAI VAARAAI - SAMPURNA RAMAYANAM



SONG STARTS AT 2:33:00


THE VOICE OF NTR - N.T.RAMA RAO - SRI K.V.SRINIVASAN



Over to the ‘voice'

MALATHI RANGARAJAN
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SOJOURN THAT HAS BEEN WORTHWHILE: K.V. Srinivasan.Photo: S.S.Kumar
SOJOURN THAT HAS BEEN WORTHWHILE: K.V. Srinivasan.Photo: S.S.Kumar
Nonagenarian K.V. Srinivasan, the actor who dubbed for N.T. Rama Rao in all his Tamil films including ‘Karnan,' which is seeing a successful re-release, embarks on a nostalgic journey …
It was a very special occasion for the members of Nawab Rajamanickam's theatre troupe, Madurai Devi Bala Vinoda Sangeetha Sabha. They were enacting the story of Nandanar, and seated in the audience was Mahatma Gandhi! In fact, the play was particularly chosen because it espoused the evils of untouchability, a subject close to Gandhiji's heart. When the curtains went up the Mahatma expressed his wish to be on stage to have a clear view from the wings. And as he was being helped the three steps, he noticed the board that said ‘Leave your footwear here.' Immediately, he removed his sandals, went up and sat on the floor.
K.V. Srinivasan, a 12-year old member of the troupe, who was watching the great leader's humility, was moved. And when he sang ‘ Vaishnava Janatho,' along with two other boys – Iyyampettai Narayanasamy and Azhwar Govindan -- the Mahatma looked at Srinivasan, smiled, nodded in appreciation and said, ‘Achcha!' “If there is an actor in this country whom Gandhiji himself complimented, it's me,” K.V. Srinivasan's voice swells with pride. “Discipline was the watchword at Nawab Rajamanickam's. It was like an ashram where all of us imbibed values,” says Srinivasan.
The nonagenarianhas another rare distinction. He has given voice for N.T. Rama Rao in all his Tamil films. “About 55 totally, whether it was track change or straight dubbing, it was my voice that was used for him. Track change is done when the actor has spoken the dialogue in the language it is made in and yet his voice is replaced. Here, lip sync is tougher because it has to match the utterances of the actor perfectly.” KVS, as he is known, pauses for a moment. “But dubbed films are those made in other languages and brought to Tamil, and hence the process is easier. For Rama Rao, either way, it was my voice.” The day after he dubbed for ‘Jagadala Prathapan,' NTR, its hero, saw KVS at the studio and was all praise for his work. “ ‘Bale,' he said,” chortles KVS.
Now that the re-run of ‘Karnan' is playing to packed houses, KVS, who is the voice of Krishna (Rama Rao) in the film, is garnering attention all over again. It's surprising that he has also given voice for S.V. Ranga Rao in his early Tamil films. “‘Petra Manam' was one.”
“You may not be aware that Sivaji Ganesan himself has dubbed for another hero, before he debuted in ‘Parasakthi,'” smiles KVS. “The film was ‘Nirabaradhi' in which Mukkamala Krishnamurthy played the lead. I was a small time actor in films but a busy theatre and dubbing artist. I also acted in several AIR plays.” KVS has acted in more than a 100 films and has given voice for many main actors in an equal number of films. Not surprising, because the voice is still commanding!
Did KVS ever aspire to play hero? “I know my limitations. My physique wasn't suitable for it. I could only act in character roles. But my voice was an asset,” he laughs.
“It was Sivaji Ganesan who insisted that director Panthulu should think of none other than KVS for the voice of Krishna in ‘Karnan.' “ ‘As always it has to be KVS,' he said,” he fondly recalls. In the film, KVS also played the sage who christens the baby found in a box, as Karnan. His association with the thespian dates back to the era when Sivaji Ganesan played Padmavathy on stage and KVS was Manohara. Theatre troupes in those days always comprised an all-male cast. “Ganesan was brilliant in the female role. The finesse and the nuances he lent to the part were incredible.”
The two were part of Shakti Krishnaswamy's Shakti Gana Sabha. Krishnaswamy later became famous as the dialogue writer of ‘Karnan,' ‘Veerapandiya Katta Bomman' and ‘Periya Idathu Penn.' “Ganesan and I were there for more than a decade,” he says. KVS can't stop talking about the deference with which Sivaji Ganesan always treated him, even after he became a part of Ganesan's theatre troupe, Sivaji Nataka Mandram. “He was a big hero then. But whenever I entered the green room for make-up, Ganesan who arrived early, would get up from his chair and greet me,” he says. “He would ask me why I didn't visit him at his home often. ‘You live in a palace, Ganesa. I can't walk in just like that,' I would reply. But whenever possible, he suggested my name for roles,” smiles the actor. KVS should be familiar to avid watchers of Sivaji Ganesan films -- the Buddhist monk in ‘Annaiyin Aanai' and the lawyer in ‘Bale Pandiya' to name a couple. “I've acted with MGR too,” he adds.
Nambiar, a dear friend
His eyes turn moist when he talks of M.N. Nambiar, a dear friend from childhood, who went on to become a very popular screen villain. “We were in touch till the very end. Ours is 75 years of close association. We grew up in the same drama troupe. Age-wise the difference between us is just six months. For every Deepavali his wife would send new clothes for my children,” he remembers.
Today KVS is a contented man. “I never earned in excess. Nor was I in want. I live comfortably. My children, two sons and three daughters, are well-settled. I gave them the best of education, something which I missed out on,” he says. His sons and one of his daughters live in the U.S. “I'm 91 and my wife Sulochana, 83. We are waiting for the call from above, to leave the world. But for my wife's care I wouldn't have survived this long,” smiles KVS, as he walks up to the door leaning on his walking stick, to see me off. “Don't forget to mention my interaction with the Mahatma,” he requests, as I open the gate.
In sync
Many filmgoers of the day were under the impression that it was N.T. Rama Rao’s voice that they heard on screen. “I acted out a role in the AIR play, ‘Dharmayuddham,’ written by Dayanidhi. Suki Subramaniam, the producer at AIR, called me up a couple of days later. ‘Could you come over and see what we have for you,’ he asked, and showed me the letters he had received. The content in all was nearly the same. ‘Why wasn’t N.T. Rama Rao’s name mentioned in the announcement that gave the list of actors in the play,’ they wanted to know. We laughed, and I was happy that people identified my voice with Rao’s,” recalls KVS. He then imitates NTR’s powerful baritone to demonstrate the difference in their voices.

Friday, November 27, 2009

KAATHIRUPAAN KAMALA KANNAN - UTHAMA PUTHIRAN

kaathirupaan kamala kannan kaathirupaan kamala kannan angae kaathirupaan kamala kannan angae kaathirupaan kamala kannan kanindhu kanindhu anbai ninaindhu ninaindhu kaNNurangaamal kathirupaan kamala kannan aathangarai thanilae andhi pozhuthinilae aathangarai thanilae andhi pozhudhinilae poothakai malar pola punidhamaana vanidhai radhai varugai kaaNa kaathirupaan kamala kannan gopiyar konjum Sallaaban gopiyar konjum sallaaban vaey kuzhal isai amudhootum ezhilodu sugam kaatum thaavi pidipaan aah.... thaavi pidipaan thaavi pidipaan thaavi pidipaan veNNai thayir kudaithai thadupaan thaavi pidipaan veNNai thayir kudaithai thadupaan tharaiyil amarndhu raadhai uruvam varaindhu kondu angu kaathirupaan kamala kannan vaedikkaiyaai seivaan alangaaram vaedikkaiyaai seivaan alankaaram veeNai isaikka solli vaenduvaan sila naeram veeNai isaikka solli vaenduvaan sila naeram vaedikkaiyaai seivaan alangaaram paaduvaan atharkavaL aaduvaaL aah.. paaduvaan adharkavaL aaduvaaL matha naeram paaduvaan atharkavaL aaduvaaL matha naeram paaduvaan atharkavaL aaduvaaL matha naeram paadam nogumae endru parivudan kadhal inbamae thandha naayagan vandhu kaathirupaan kamala kannan kanindhu kanindhu anbai ninaindhu ninaindhu kaNNurangaamal kathirupaan kamala kannan

Tuesday, October 20, 2009

AZHAGAN MURUGANIDAM - PANCHA VARNA KILI




Padhai theriyudhu paar was probably L Vjayalakshmi’s first film in Tamil. She made her debut in the Telugu film Sippaayi Kooturu-1959. She went on to become a popular actress in Telugu.

Among her Tamil films, Bommai, Koduthuvaithaval, Sumaithaangi, the series of Modern Theatres’ films (Vallavan Oruvan, Iru Vallavargal, Ethirigal Jaakirathai--), Ooty Varai Uravu etc are worth remembering. She was an accomplished dancer- trained under Vazhuvoor Ramiah Pillai.

She appeared in dance sequences in films like Panjavarnakkili, Mahakavi Kalidas & Kudiyirundha Kovil. Later she married and settled in Philippines, and subsequently shifted to the U.S. with her family. She is today a qualified CPA and enjoys her job in Virginia!

sathiyam sivam sundaram...aaa... 
saravanan thirupugazh mandiram 

azhagan muruganidam aasai vaithaen 
avan aalayathil anbu malar poosai vaithaen 
annaL uravukkendrae udal eduthaen 
avan aruLai peruvatharkae uyir vaLarthaen (2) aaa.. 
azhagan muruganidam aasai vaithaen 
avan aalayathil anbu malar poosai vaithaen 

pani peyyum maalaiyilae, pazhamuthircholaiyilae 
pani peyyum maalaiyilae, pazhamuthircholaiyilae 
kani koyyum veLayilae, kanni manam koiduvittan 
paNirendu kaNazhagai paarthirunda peNazhagai 
vaLaL thaan aaLa vandaan, peNmaiyai vazhavaithaan 
peNmaiyai vazhavaithaan, aaa... 

azhagan muruganidam... 

malaimel iruppavano, mayil mel varubavano 
meyyurugi paada vanthaal, thannaithaan tharubavano 
alaimel thurumbaanaen, anal mel mezhugaanaen 
alaimel thurumbaanaen, anal mel mezhugaanaen 

ayyan kai thottavudan azhagukku azhagaanaen 
azhagukku azhagaanaen, aaa... 

azhagan muruganidam...