Showing posts with label JONPURI. Show all posts
Showing posts with label JONPURI. Show all posts

Saturday, July 28, 2012

UZHAIPADHILA UZHAIPPAI PERUVADHILA INBAM - NADODI MANNAN

http://google.saregama.com/music/pages/listen_popup?mode=listen_popup&query=INH100226900


SONG STARTS @30.00

உழைப்பதிலா உழைப்பைப்  பெறுவதிலா  இன்பம் 
உண்டாவதெங்கே சொல் என் தோழா 
உழைப்பவரே உரிமை பெறுவதிலே இன்பம்
உண்டாகும் என்றே சொல் என் தோழா

கல்வி கற்றோம் என்ற கர்வத்திலே இன்பம்
கண்டவர் உண்டோ சொல் என் தோழா
கல்லாத பேரையெல்லாம் கல்விப் பயிலச் செய்து 
காண்பதில் தான் இன்பம் என் தோழா

இரப்போர்க்கு ஈதலிலும் இரந்துண்டு வாழ்வதிலும்
இன்பம் உண்டாவதில்லை என் தோழா
அரிய கைத்தொழில் செய்து அனைவரும் பகிர்ந்துண்டு
அன்புடன் வாழ்வதின்பம் என் தோழா

பட்டத்திலே பதவி உயர்வதிலே இன்பம்
கிட்டுவதேயில்லை என் தோழா 
உனையீன்ற தாய்நாடு உயர்வதிலே இன்பம்
உண்டாகும் என்றே சொல் என் தோழா


Saturday, December 31, 2011

SATVA GUNA BODHAN - ASHOK KUMAR - MKT

Thursday, September 22, 2011

NADAGAMELLAM KANDEN - MADURAI VEERAN


Nadagamellam Kanden by comeupdowngo


Madurai Veeran
மதுரை வீரன்

Release poster
Directed byD. Yoganand
Produced byLetchumanan Chettiar
Written byKannadasan
StarringM. G. Ramachandran
P. Bhanumathi
Padmini
N. S. Krishnan
T. A. Madhuram
E. V. Saroja
T. S. Balaiah
O. A. K. Thevar
Sando M. M. A. Chinnappa Thevar
T. K. Ramachandran
Music byG. Ramanathan
Distributed byKrishna Pictures
Release date(s)13 April 1956
Country‹See Tfd› India
LanguageTamil



Madurai Veeran (Tamilமதுரை வீரன்) is a 1956 Tamil film directed by D. Yoganand, starring M. G. RamachandranP. Bhanumathi and Padmini. The film was released on 13 April 1956 and completed a 100-days-run at all the theatres it was screened at.[1]

Contents

  [hide

[edit]Production

The legend of Madurai Veeran has been passed on over centuries, forming a vibrant part of the rich south indian folklore. He is deified and worshipped with awe and devotion to this day in several southern districts. It was a resounding success, celebrating a silver jubilee run in many centers.
It is the remake of 1939 movie Madurai Veeran by Raju Films where T. P. Rajalakshmi had written, produced and acted. V. A. Chellappa played the title role.

[edit]Plot

Veeran was born to the chieftain of Varanavasi, but the baby was born with an unlucky mark destined to bring doom to the state. Acting as per the dictates of the astrologer, baby is abandoned in the forest. A cobbler and his wife discover the baby in the forest, and bring him up as their son.
Veeran grows up to be a brave and noble youth. He chances to save Bommi, the princess of Thottiyam from being drowned in the Cauvery. Bommi falls in love with him. Though Veeran doesn’t reciprocate initially, he perceives the depth of her love gradually after Bommi comes riding on an elephant dressed as a man and saves Veeran from being trampled to death. Bommi’s uncle, the cowardly Narasappan finds his schemes of marrying Bommi falling apart. Citing Veeran’s low birth, Narasappan causes the lovers undue hardships. Due to opposition from Bommi's father, Veeran arrives and carries the princess away.Finally the King of Tiruchi, from whom Narasappan had sought assistance, declares that Veeran and Bommi are not guilty of any crime and sanctifies their union in wedlock. And being impressed with Veeran’s valour, the King appoints him as the commander of the army.
Thirumalai Nayakar of Madurai appeals to Tiruchi to help curb the menace of a gang of robbers that was terrorizing the people of Madurai. Veeran is sent to Madurai and he is appointed Nayakar’s commander. There he sees Vellaiyamma, the beautiful court dancer and is impressed with her virtues and skills. Suitable disguised, Veeran and Vellaiyamma gain entry into the Azhagar Malai den of the thieves. With the help of hidden soldiers, they manage to capture most of the robbers and recover the plundered loot.
Nayakar, who wants to make Vellaiyamma his concubine, is furious when he hears that Vellaiyamma is in love with Veeran. And his mind further poisoned by the evil Narasappan and his former commander Kutilan, the King accuses Veeran of treason and orders a hand and leg of Veeran to be severed. Before the sentence is carried out Veeran recognizes in the crowd the leader of the thieves Sangilikaruppan, and puts him to death in a quick encounter. Satisfied that he has now accomplished his mission, Veeran subjects himself to the mutilation. And as his soul leaves his body soon after, Bommi and Vellaiyamma unite with him in the heavenly abode.

[edit]Cast

ActorRole
M. G. RamachandranVeeran
P. BhanumathiBommi
PadminiVelliaiyamma
N. S. Krishnan
T. A. Madhuram
T. S. BalaiahNarasappan
E. V. Saroja
O. A .K. ThevarThirumalai Nayakar
Sando M. M. A. Chinnappa ThevarSanggili Karuppan
T. K. RamachandranKutilan

[edit]Crew

[edit]Soundtrack

List of songs:
  1. Senthamizha Ezhundhu Varayo - M. L. Vasanthakumari
  2. Nadagamellam Kanden - T. M. Soundararajan & Jikki
  3. Aadal Kaaneero - M. L. Vasanthakumari
  4. Summa Kidantha Sothukku Nashtam - P. Leela & Jikki
  5. Avarkkum Enakkum - P. Bhanumathi
  6. Vanga Machan Vanga - T. M. Soundararajan & P. Leela
  7. Vanga Machan Vanga - P. Leela
  8. Echu Pizhaikkum Thozhile - T. M. Soundararajan & Jikki
  9. Kundathor Adi Varum - P. Leela
  10. Kadamaiyile Uyir Vazhndhu - T. M. Soundararajan

Did you know that actor MGR's film Madurai Veeran released in 1956 ran for 100 days in all the 36 movie halls that screened it? “It's the first ever Tamil film to set such a record,” says S. Vijayan, a store house of information on MGR. He provides you with another nugget: “Young Kamal Hassan watched the film on all the 100 days in his native Paramakudi town”.
A compilation
An ardent MGR fan since his childhood, Vijayan alias Ramakrishnan based in Chennai, is the editor and publisher of the monthly magazine Ithayakkani, dedicated to the actor-turned-chief minister. Launched in 2000, it is circulated in Tamil Nadu, Kerala, Bombay, some gulf countries and also in Malaysia, France and London. The website www.ithayakkani.com, active for four years now, packs in anecdotes and information about the actor's rise to stardom, his rare photographs, filmography, political life and more. “Now, people in over 65 countries enjoy reading about MGR,” he says.
There is a story about Malacca Governor Tun Mohd Khalil Yaakob, a diehard MGR fan. He re-enacted the late actor's role in the 1964 blockbusterVettaikaran in a 45-minute drama and dazzled people in Malaysia. “He dressed up as MGR with his trademark cap and dark glasses. One of our readers spotted the story which appeared on page one of Star, a popular tabloid in Malaysia and sent it to us.”
Vijayan has watched all of the 138 MGR films. His weekly column “MGR Kadhai” was serialised for 58 weeks in Devi, a weekly magazine from Maalai Murasu publication after the demise of the actor. As a part of the life history series, Vijayan visited MGR's 200-year-old Tharavadu (ancestral house) in Vadavannur, near Palakkad in Kerala. It is called ‘Maruthur House'. A relative now lives in the rebuilt house. Vijayan has recorded MGR's life history as a docu-drama too. “MGR is believed to have renovated ‘Chandranantha Illam' in Kuzhal Mannam, the home of his second wife Sathanandavathi. They have preserved the cot used by MGR and the room is full of other memorabilia. His co-brother told me that the star visited the house as a CM in 1986, sat on the same cot, and cried.”
Yaanaiadi School in Kumbakonam (where the actor moved with his mother Sathyabama) is significant too.
“His school mate Denan recalled his memories with MGR. The school authorities have preserved the ledger which has the signature of M. G. Ramachandran who studied there in class III and IV.”
During his research Vijayan interacted with Raju Kaantham, Kali N. Ratnam's wife. Kali N. Ratnam is considered MGR's guru in theatre.
Vijayan has gathered thousands of rare photographs. It includes those of MGR without his cap and glasses, stills from his theatre days, family photographs, stills from his unreleased films, and from his political life. “Humility and public service defined his personality,” says Vijayan. He took good care of his body and exercised regularly, Vijayan learnt about this from his friends and relatives.
Landmark films
He mentions Malai Kallan (shot at Pakshiraja Studios in Coimbatore),Alibabavum 40 Thirudargalum and Madurai Veeran as landmark films in his career.
“MGR was multi-faceted. He tried his hands at direction with Naadodi Mannan,Ulagam Sutrum Vaaliban, and Maduraiai Meeta Sundara Pandian. He wrote the script for Kanavar, which is based on a Russian novel Wood Cutter.”
His films were noted for technical finesse too. “The ‘head mask' technique employed to show meeting of double roles were technically superior in his filmsNaadodi Mannan (where two MGR's shake hands) and Maatukara Velan(where the characters cross each other).”
Vijayan's series “Ellam Arintha MGR” that appeared in Ithayakkani has been brought out as a book by Vikatan Publications.
“His fight scenes, especially the silambu fight where he kneels down and twirls the sword are unique. MGR is the only actor who never used a knee cap against injuries. Such was his stamina,” he says.The website is regularly updated. People have often asked Vijayan how he finds so much to write about MGR. He answers, “He never wasted a single moment of his life. He is a man who has spent every hour of his life fruitfully.”

Sunday, August 7, 2011

RAJAYOGAME PAAREER, KALAIYE UN VILAI - VANANGAMUDI

http://www.raaga.com/channels/tamil/album/T0001876.html




Vanangamudi 1957

RANDOR GUY
SHARE  ·   PRINT   ·   T+  
Performance-driven Vanangamudi.
Performance-driven Vanangamudi.
Sivaji Ganesan, K. Savithri, Pasupuleti Kannamba, M. K. Radha, Rajasulochana, M. N. Nambiar, Chittoor V. Nagaiah, K. A. Thangavelu, M. Saroja, M. R. Santhanam, Nott Annaji Rao, ‘Gemini' Balu and Helen (dance)
Savithri was a talented star in South Indian Cinema. She excelled in playing a variety of roles, each with its unique characteristics and sentiment. Hailing from Andhra Pradesh, she began her career in a modest manner as an extra — one in a group of girls in a car sequence in the successful Telugu film Samsaram directed by the iconic L. V. Prasad. 

Later, she did a short dance sequence in Pathala Bhairavi. From such modest beginnings, she reached the zenith of success, playing lead roles in Tamil, Telugu and Hindi movies, many of which were big hits. She also did a few Malayalam movies. She married the top Tamil film star ‘Gemini' Ganesan, with whom she acted in ‘Manampol Mangalyam' (1953), the first movie where ‘Gemini' played the hero. Savithri was compared to the top star of Indian Cinema, Hindi film actor Meenakumari. 

One of her successful movies in Tamil was Vanangamudi.Written by the Tamil scholar-turned-filmmaker, producer and studio-owner, A. K.Velan, it was directed by veteran multilingual filmmaker P. Pullaiah. Hailing from Nellore, he entered filmdom after graduation and worked in Kolhapur, enjoying the rare privilege of being associated with the founding father of Indian Cinema, Dadasaheb Phalke. Pullaiah, a tough no-nonsense guy, directed films in Telugu and Tamil with many hits such as Manam Pol Mangalyam, and Vanangamudi was one such box office success of his.

The film revolves around a king (Radha) and a talented sculptor (Sivaji Ganesan). Chitrashilpi, the sculptor, could make stones sing and dance with his artistic touch. Son of the king's bodyguard (Nagaiah), whose kind-hearted wife is played by Kannamba, he meets the princess (Savithri) in a forest and falls in love with her. However, each is not aware of the other's identity.

Enters the villain (Nambiar) who has an eye on the throne and the princess. He has a mistress — a court dancer with a heart of gold (Rajasulochana). He employees all the tricks in his bag to get his desire fulfilled. He throws the sculptor in prison and introduces a princess-look-alike, a tribal girl (Savithri, again) and pulls the wool over the eyes of the king and marries the fake princess!

After many events, somewhat predictable, the hero exposes the villain and happiness is restored inthe royal family.

The film had melodious music composed by G. Ramanthan, with lyrics by Thanjai Ramaiah Das. One of the songs in the Carnatic raga ‘Thodi', ‘Ennai Pol Penn', rendered by P. Susheela with much feeling attracted attention. Even Carnatic musicians considered it the best film song composition in Thodi. The popular comedy pair, Thangavelu-Saroja, provided the laughs and there was a sizzling dance number by Helen (choreographer K. N. Dhandayuthapani Pillai)..

The film was produced by Saravanabhava–Unity Pictures, which had some links to the famous Jupiter Pictures. One of the producers, A.K. Balasubramaniam, was a son-in-law of the famed ‘Jupiter Somu', while the other was C. Sundaram who rose from the lowest rungs to achieve success, before sliding down the grease pole.

Well-known singers M. L. Vasanthakumari. P. Susheela, Jikki, T. M. Soundararajan, Sirgazhi Govindarajan, A. M. Raja, T. V. Ratnam and S. C. Krishnan lent their voices to the songs. The film had pleasing photography by P. Ramasami who had done good work in Coimbatore Central Studios. This film was shot at Neptune Studios which was taken on lease by Jupiter Pictures after they shifted to Madras. This studio no longer exists and the historic site now owned by the MGR family houses the MGR College for Women.

Remembered for the excellent performances by Sivaji Ganesan, Savithri and Nambiar and the melodious music.


RANDOR GUY
SHARE  ·   COMMENT   ·   PRINT   ·   T+  
  • A still from Mangalyam. Photo: Special Arrangement
    The HinduA still from Mangalyam. Photo: Special Arrangement
  • A still from Nallavan Vazhvan. Photo: Special Arrangement
    The HinduA still from Nallavan Vazhvan. Photo: Special Arrangement
  • A still from Pennarasi. Photo: Special Arrangement
    The HinduA still from Pennarasi. Photo: Special Arrangement
Rajasulochana lit up the silver screen with her acting and song and dance numbers in the Fifties and Sixties. RANDOR GUY takes a trip down movie lane
A few weeks ago, yesteryear actor P. Rajasulochana was felicitated by the prestigious Chittoor V. Nagaiah Trust for her contribution to Telugu Cinema. The occasion sent many in the audience down memory lane. One of the most successful stars in Tamil, Telugu, Hindi, Kannada and Malayalam movies, Pilliarchetty Bhakthavatsalam Naidu Rajeevalochana (her original name) was born on August 15, 1934 in Bezawada (now Vijayawada), in Andhra, then part of the Madras Presidency where her father was a senior official with the Madras and Southern Maratta Railway (M&SM).
(During the British reign in India, the Railways were privately owned by British companies incorporated in England whose shares were quoted and traded on the London Stock Exchange and M&SM was one of those companies with its headquarters in Madras. After India became free in 1947, the Government began to nationalise the Railways, taking over the foreign companies. The Southern Railway was soon formed.)
How she got her name
Thanks to her father being promoted as PA to the General Manager of M&SM, (always a Britisher in those days), the family moved to Madras and settled in Triplicane, where she went to school. Here the authorities recorded her name as Rajasulochana! And that's how she continues to be known till today.
As a young girl, she showed interest in classical dance and took her early lessons at Saraswathi Gana Nilayam in Triplicane; her first guru was Lalithamma (Bharatanatyam). Later, she learnt from K. N. Dhandayuthapani Pillai (Bharatanatyam), Acharyulu and Vempati Chinnasatyam (Kuchipudi), Krishnakumar and Vishnu Vysarkar (Kathak) and Kalamandalam Madhavan (Kathakali).
Those were the days when middle-class families did not encourage girls to dance in public, and, much against convention, Rajasulochana had her ‘arangetram' in Madras which was presided over by the famed music scholar, lawyer and judge of the Madras High Court and Supreme Court of India, T. L. Venkatarama Iyer.
Not surprisingly, movies beckoned her, and she took her bow thanks to the celebrated Kannada stage and screen maestro H.L.N. Simha. “Gunasagari” (“Sathyasodhanai” in Tamil), produced by the Kannada cult figure Gubbi Veeranna, marked her screen debut.
She entered Tamil cinema in the early 1950s with “Pennarasi”, a costume drama produced by M. A. Venu, written by A. P. Nagarajan and directed by K. Somu. It was made at the famous Central Studios, Coimbatore. Her song and dance numbers attracted enormous attention, and her fame spread far and wide.
Films that created history
Rajasulochana has acted in hundreds of films in many languages. Though it is not possible to list all of them, mention must be made of some that created history. Not many are aware that she was cast as the heroine in the cult film “Parasakthi”. But she had to opt out of the film because of her pregnancy. It was only then that Telugu actress Sriranjani Jr. was brought on board.
Rajasulochana's most successful film, according to critics and moviegoers, was “Thai Pirandhaal Vazhi Pirakkum” with S. S. Rajendran, written, produced and directed by the Tamil scholar-turned-filmmaker A. K. Velan. A raving success, the film had melodious music by K. V. Mahadevan. Many songs such as ‘Amudhum thenum etharku nee aruginil irukkayiley' became hits and are still remembered. It was remade in Telugu as “Manchi Manasuku Manchi Rojulu” with N. T. Rama Rao playing the lead. The film was directed by her husband, noted writer-director C. S. Rao.
Rajasulochana had the privilege of acting with all the superstars of South Indian cinema such as M.G. Ramachandran, Sivaji Ganesan, N. T. Rama Rao, Akkineni Nageswara Rao, Rajkumar, S.S. Rajendran, A. P. Nagarajan and M. N. Nambiar.
Her other films worth mentioning are “Gulebakavali”, “Vanangamudi” “Nallavan Vaazhvaan”, “Mangalyam”, “Rangoon Radha”, “Pennarasi”, “Kavalai Illaadha Manithan” and “Ellam Inba Mayam” (all Tamil); “Pellinati Pramanalu”, “Raja Makutam”, “Jayabheri”, “Santhinivasam”, “Mahakavi Kalidasu”, “Iddaru Mitrulu”, “Tiger Ramudu”, “Valmiki” and “Thatha Manavudu” (a super hit and the debut of ace filmmaker Dasari Narayana Rao) (all Telugu); “Bedara Kannappa”, “Valmiki” (Kannada); “Chori Chori” (Hindi, a Raj Kapoor-Nargis-AVM movie she was cast with master showman Bhagwan); and “Manasakshi” (Malayalam).
In the various language movies she starred in, she spoke the dialogues herself. This is an interesting feature, especially today, when no two heroines speak in their own voice.
Well versed in ‘Vastu Shastra', she designed her bungalow in Madipakkam. Her only regret is she did not have a college education. One of her twin daughters, Devi, who lives in Chennai, is a talented dancer. Her other daughter, sons and grandchildren live in the United States.
Recipient of many awards, Rajasulochana founded her dance school ‘Pushpanjali Nritya Kala Kendram' in 1961 in Chennai, which celebrated its Silver Jubilee in 1986.

Thursday, December 17, 2009

KUHU KUHU BOLE - SUVARNA SUNDARI







(HAMSANANDHI) SOHINI, (KAANADA)BAHAR, (JONPURI) JIVANPURI,(YAMUNA KALYANI) YAMAN


Movie : 

Suvarana Sundari

 Music Director : 

Adi Narayan Rao

 Singer(s) :

Lata & Mohammad Rafi

 Lyricists :

Bharat Vyaas

Aa.. Aa.. Aa..
(Kuhu-Kuhu Bole Koyaliyaa)-2
Kunj-Kunj Men Bhanvare Dolen
Gun-Gun Bolen 
Aa.. Aa....
Kuhu-Kuhu.....

(Saja Singaar Rritu Aai Basanti)-2
Aa.. Aa.. 
Jaise Naar Koi Ho Rasavanti
SA NI DA MA DA NI SA, GA MA GA MA DA NI SA
Re SA NI DA NI SA Re SA NI SA Re SA NI
DA NI NI DA NI NI DA NI, MA DA DA MA DA DA MA DA
SA Re GA MA DA NA
Saja Singaar Rritu Aai Basanti
Jaise Naar Koi Ho Rasavanti
Daali-Daali Kaliyon Ko Titaliyaan Chumen
Phool-Phool Pankhadiyaan Kholen, Amrit Gholen,
Aa .....
Kuhu-Kuhu.....

"Raag Bahaar"

Kaahe..
(Kaahe Ghataa Men Bijali Chamake)-2
(Ho Sakataa Hai Megharaaj Ne Baadariyaa Kaa
Shyaam-Shyaam Mukh Chuum Liyaa Ho)-2
Chori-Chori Man Panchhi Ude, Nainaa Jude
Aa ... Aa...
Kuhu-Kuhu....

"Raag Jaunapuri"

Aa.. Aa.. Aa...
Chandrikaa Dekh Chhaai, Piyaa, Chandrikaa Dekh Chhaai
Chandaa Se Milake, Man Hi Man Men Muskaai
Chhaai Chandrikaa Dekh Chhaai
(Sharad Suhaavan, Madhu Manabhaavan)-2
(Birahi Janon Kaa Sukh Sarasaavan)-2

"Raag Sohani"

Chhaai-Chhaai, Poonam Ki Ghataa, Ghoonghat Hataa
Aa .... 
Kuhu-Kuhu......

"Raag Yaman"

Aa.. Aa.. Aa..
(Saras Raat Man Bhaae Priyatamaa, Kamal-Kamalini Mile)-2
Saras Raat Man Bhaae..
Kiran Haar Damake, Jal Men Chaand Chamake
(Man Saanand, Aanand Dole Re)-2
NI Re GA MA DA NI SA, DA NI SA, SA NI SA, GA Re GA
SA Re NI SA DA NI MA DA SA, NI Re NI Re
DA NI DA NI MA DA MA DA GA MA GA MA 
GA MA DA NI SA, GA MA DA NI SA, DA NI SA
*************************************
आ.. आ.. आ..
(कुहु-कुहु बोले कोयलिया)-२
कुंज-कुंज में भंवरे डोलें
गुन-गुन बोलें 
आ.. आ....
कुहु-कुहु.....

(सज सिंगार ऋतु आई बसंती)-२
आ.. आ.. 
जैसे नार कोई हो रसवंती
सा नी दा मा दा नी सा, गा मा गा मा दा नी सा
रे सा नी दा नी सा रे सा नी सा रे सा नी
दा नी नी दा नी नी दा नी, मा दा दा मा दा दा मा दा
सा रे गा मा दा ना
सज सिंगार ऋतु आई बसंती
जैसे नार कोई हो रसवंती
डाली-डाली कलियों को तितलियाँ चूमें
फूल-फूल पंखड़ियाँ खोलें, अम्रित घोलें,
आ .....
कुहु-कुहु.....

"राग बहार"

काहे..
(काहे घटा में बिजली चमके)-२
(हो सकता है मेघराज ने बादरिया का
श्याम-श्याम मुख चूम लिया हो)-२
चोरी-चोरी मन पंछी उड़े, नैना जुड़े
आ ... आ...
कुहु-कुहु....

"राग जौनपुरी"

आ.. आ.. आ...
चंद्रिका देख छाई, पीया, चंद्रिका देख छाई
चंदा से मिलके, मन ही मन में मुस्काई
छाई चंद्रिका देख छाई
(शरद सुहावन, मधु मनभावन)-२
(बिरही जनों का सुख सरसावन)-२

"राग सोहणी"

छाई-छाई पूनम की घटा, घूँघट हटा
आ .... 
कुहु-कुहु......

"राग यमन"

आ.. आ.. आ..
(सरस रात मन भाए प्रीयतमा, कमल-कमलिनी मिले)-२
सरस रात मन भाए..
किरण हार दमके, जल में चाँद चमके
(मन सानंद, आनंद डोले रे)-२
नी रे गा मा दा नी सा, दा नी सा, सा नी सा, गा रे गा
सा रे नी सा दा नी मा दा सा, नी रे नी रे
दा नी दा नी मा दा मा दा गा मा गा मा 
गा मा दा नी सा, गा मा दा नी सा, दा नी सा