Showing posts with label MADHUVANTHI. Show all posts
Showing posts with label MADHUVANTHI. Show all posts

Tuesday, March 15, 2011

NANDHA NEE EN NILA NILA - NANDHA EN NILA



 V. Dakshinamoorthy, a relatively unknown music director in tamil, is the composer of songs like "Nandhaa nee en nila" , "Nalla manam vaazhga"(Oru oothaappo kan simittugirathu), "aruvi magal alai osai" (jeevanaadi), "oru kaathal saamrajyam", "aadavan illaa ulagam ethu". Many famous singers from P.Leela to current day Bhavatharani have been a student under him. ARR Rahman's father Sekar was also his assistant.



http://en.wikipedia.org/wiki/V._Dakshinamoorthy 

V. Dakshinamoorthy

From Wikipedia, the free encyclopedia
Sangeetha Saraswathy
V. Dakshinamoorthy
Background information
Birth nameVenkateshwara Dakshinamoorthy
Also known asSwamy
BornDecember 22, 1919 (age 92)
OriginAlappuzhaKeralaIndia
GenresCarnatic music
OccupationsMusician
InstrumentsHarmoniumVocal
Years active1950 - present
V. Dakshinamoorthy (Malayalamവി ദക്ഷിണാമൂര്‍ത്തി (born 22 December 1919) is a veteran carnatic musician and music director of MalayalamTamiland Hindi films, predominantly in Malayalam films. He has set scores for the songs in over 125 films. He is now retired from film music direction but is still active in classical music.[1] He has to his credit as many as 859 songs composed over a period of 50 years.

Contents

  [hide

[edit]Biography

Dakshinamoorthy was born on 22 December 1919 as Venkateswaran Dakshinamoorthy, to D. Venkateswara Iyer and Parvathi Ammal inAlappuzhaTravancoreBritish India. His interest in music was nurtured by his mother who taught him keerthanas of Thyagaraja Swamikal when he was still a child. After finishing S.S.L.C., he learned carnatic music form Venkatachalam Potty in Trivandrum.
He learned more about carnatic music and became an expert of it. He debuted in the film industry with Nalla Thanka, produced by Kunchacko and K. V. Koshy under the banner of K & K Productions. The hero of the film was Augustin Joseph, father of renowned singer K. J. Yesudas. The film also had songs sung by Augustin.[2] Dakshinamoorthy went on to set scores for K. J. Yesudas and his son Vijay Yesudas (for the film Poomukhappadiyil Ninneym Kathu, directed by Bhadran) as well, thus achieving a rare treat.
He set the scores for many songs written by Sreekumaran Thampi, forming a famous musician-songwriter duo like the Vayalar Ramavarma - G. Devarajan and P. Bhaskaran - Baburaj duos. He had R. K. Shekhar, father of the music director A. R. Rahman as his assistant for a few films, who later became a musician in his own right. He went on to direct music for over 125 films including Navalokam, Seetha, Viyarppinte Vila, Sri Guruvayoorappan, Kadamattathachan and Indulekha.
His evergreen compositions include Swapnangal... Swapnangale ningal...(Kavyamela), Pattu padiyurakkan njan...(Seetha), Uthara swayamvaram...(Danger Biscuit), Kattile pazhmulam...(Vilaykku Vangiya Veena) and Vathil pazhuthilooden...(Idanazhiyil Oru Kalocha). He was guruof many singers and Music Directors including P. Leela, P. Susheela, Kalyani Menon and Ilaiyaraja.[3] In 1971 he won the Kerala State Film Award for Best Music Director.
In 2003, he received the coveted 'Sangeetha Saraswathi' Award from the hands of revered Poojya Sri Guruji Viswanath of Manava Seva Kendra, Bangalore. In the year 2008, he composed 4 songs for the Malayalam Movie Mizhikal Sakshi.

[edit]Awards

Monday, April 6, 2009

KANDA NAAL MUDHALAI - KANDA NAAL MUDHAL





kaNDanaaL mudhalaay
raagam: madhuvanti
59 dharmaavati janya
Aa: S G2 M2 P N3 S
Av: S N3 D2 P M2 G2 R2 S
taaLam: aadi
Composer: S. Cidambaram
Language: Tamil
pallavi
kaNDanaaL mudhalaay kaadal perugudaDi
kaiyinil vEl piDitta karuNai shivabaalanai
(kaNDanaaL)
anupallavi
paNNisai paaDum ezhil vasanta kuzhaamE
vandu sugam tandu kandanai en baalanai
(kaNDanaaL)
caraNam
neelamaiyil tannai nenjamum marakkavillai
nEsam kalarndu ninra paasamum maraiyavillai
kOla kumaran mana kOvilil nirainduviTTaan
kurunagai tanai kaaTTi narumala sooTTiviTTaan
(kaNDanaaL)

Meaning:
Pallavi: My love overflows my dear since seeing you, holding a spear (vEl) in your hand (kai), oh compassionate son of Shiva.
Anupallavi: The people will come and sing (paaDum) songs (paNNisai) for you, Kandan (a name for Murugan) my child (baalan), to bring you happiness (sugam).
CaraNam: My heart has not forgotten (marakavillai) your blue (neela) peacock (mayil). I have not forgotten this love (nEsam) mixed with affection (paasam). Oh this sharp-eyed festive (kOla) prince (kumar) has been in the temple (kOvil) of my mind (mana). Showing a small smile (kurunagai), he placed (sooti) a fragrant flower (narumalar) of love within us.

Wednesday, March 18, 2009

ENNULIL ENGO - ROSAPOO RAVIKKAIKARI



Kanniks writes:


This is a haunting song.
I did not pay much attention to this song when the film came out. The song actually hit me only during my 4th year at IIT.
The film is rosappoo ravikkaikkari.
The singer is Vani Jayaram.
The song starts with a dundunaa (ek taara), and is buttressed with some string arpegios playing the minor chord, then the flute shows a hint of a tetrachord combining the two arpegios in a melodic twist and leads into the melody.
The melody of the song is based on the scale of the raga madhuvanti – derived from the scale of dharmavati. The effective use of chords, leads to all kinds of pleasing illusions in the pallavi itself.
Then comes the fire. The strings play in unision, with ornamentation, the phrase
‘sgmp gpmp g’, with the glide from p to g and the santur chimes in.
The strings go on unchallenged, then the flute picks up at the higher end of the register and plays a solo, leading to the dilruba’s answer that leads into thecharanam ‘en manam gangaiyil’).
The song is particularly demanding and the singer does justice.
The second interlude, a dialogue between a keyboard oboe and a flute, to the background of a bed of strings, moving from the s to the n, is a masterpiece.
sitar comes in from nowhere and steers the 2nd interlude to a stringful climax into the charanam.
This song is one of Illaiyaraja’s best and was featured in his tour of Italy. (That this and an equally great classic tumbi vaa were  featured there doesnt mean anything, if you look at all the other songs featured in the tour).
The richness of the song is a contrast to the profile of the movie, relative to the the high profile megabudget ones that float through the screens today.
Illaiyaraja’s other dharmavati is mindum mindum vaa from  the film Vikram. More on it later.